Content Engines · the video script engine
Scripts timed to the spoken second, ready off a phone screen.
The video script engine writes short-form scripts for TikTok, Reels, and YouTube Shorts from the same grounded research as everything else we make. Scripts are timed by how long they take to say, formatted for a teleprompter, written in the voice of the person on camera, and approved by a person before anything is filmed.
What does the engine produce?
Short-form scripts, banded to each platform.
TikTok & Reels
Scripts timed to 20 to 34 seconds of speech, roughly 50 to 85 words. Short enough to hold, long enough to land one point.
YouTube Shorts
A slightly longer band: 30 to 45 seconds, roughly 75 to 112 words, tuned to how Shorts viewers actually watch.
Every script, complete
Each variant ships as a package: the hook, the full script, a caption, and three to five hashtags. Three to five variants per platform, per run.
What makes the scripts different?
Built for the camera, not adapted for it.
Timed by the spoken word
The engine gates scripts by estimated speaking time at a natural pace, not by character count. A script outside its platform's seconds band is dropped and rewritten, never squeezed.
Teleprompter-ready formatting
One clause per line, with pause markers where a breath belongs. The person on camera reads it straight off a phone, no rehearsal edit needed.
The hook earns the watch
The first one to two seconds decide whether anyone stays. Every script opens with a hook built for that window, carries exactly one message, and closes with a follow or share ask, never a URL read aloud.
Your voice, on camera
Scripts are written in the captured voice of the person delivering them, from their stated positions and your approved facts. Nothing is put in anyone's mouth that they have not signed off on.
The same fabrication gates as our social engine stand behind every script: numbers that are not in the research never make it to the prompter.
Who is in control?
Nothing gets filmed that a person has not approved.
Scripts land in a review queue as drafts. The person who will deliver them reads, edits, and approves each one, or discards it, reversibly, with approved scripts surviving regeneration. The engine writes the words; the person on camera owns them.
Scripts your team can shoot this week.
Book a consult and see the engine run on your market: the hooks it writes, the scripts timed to the second, and the approval queue where your people hold final cut.